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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileCristo crocifisso
The crucified figure is rendered with pale skin and a golden cruciform halo, wearing a simple white loincloth that flutters to one side. The cross is planted into a small mound of earth at the bottom of the frame, while a rectangular titulus at the top bears inscriptions in Hebrew, Greek, and Latin. The deep, dark void behind the figure creates a stark contrast that emphasizes the luminous quality of the body.
This work reflects the mystical theology of the Dominican order, specifically the concept of divine light emerging from darkness, a theme central to the Neoplatonic-influenced writings of Pseudo-Dionysius the Areopagite. It represents the transition from late medieval asceticism to the early Renaissance interest in the mathematical and philosophical properties of light as the primary substance of creation.
ישוע הנצרי ומלך היהודים ΙΗΣΟΥΣ Ο ΝΑΖΩΡΑΙΟΣ Ο ΒΑΣΙΛΕΥΣ ΤΩΝ ΙΟΥΔΑΙΩΝ IESVS NAZARENVS REX IVDAEORVM
Translation
Jesus the Nazarene, King of the Jews
Pseudo-Dionysius the Areopagite
The depiction of Christ as a light-source emerging from a dark void aligns with Dionysian apophatic theology regarding the 'divine darkness.'
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
https://catalogo.uffizi.it/it/29/ricerca/iccd/?search=Giovanni+da+Fiesole+detto+Beato+Angelico&paginate_pageNum=1
Public domain
3456 × 5184 px
bb57a377a42bf295d219894469afe9928c8f303e
July 22, 2009
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.