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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe Virgin Mary is depicted in a deep blue mantle, seated upon a throne and holding the Christ Child who reaches for a small flower. They are flanked by angels with vibrant, multi-colored wings, some kneeling in prayer on a geometric tiled floor while others stand against a dark architectural background. The figures are characterized by their serene expressions and golden halos inscribed with Latin text.
This work represents the early 15th-century Dominican approach to sacred art, emphasizing meditative clarity and the hierarchy of celestial beings. It incorporates 'Pseudo-Kufic' script on the garment borders, reflecting a common early Renaissance practice of using Eastern-inspired characters to denote the antiquity and sacred 'Otherness' of the biblical world.
AVE MARIA GRATIA PLENA DOMINVS TECVM
Translation
Hail Mary, full of grace, the Lord is with thee.
Thomas Aquinas
As a Dominican friar, Fra Angelico's work reflects the Thomistic emphasis on the physical world as a mirror of divine order and the use of light as a metaphysical substance.
Pseudo-Dionysius the Areopagite
The arrangement and depiction of the angelic host follows the celestial hierarchies established in 'De Coelesti Hierarchia', which was central to Dominican theology.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
The Yorck Project (2002) 10.000 Meisterwerke der Malerei (DVD-ROM), distributed by DIRECTMEDIA Publishing GmbH. ISBN: 3936122202.
Public domain
2024 × 2607 px
c4dcbe282c2d50c960afc0dff5c25c5b8085ca11
May 19, 2005
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.