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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileGuido di Pietro, Cristo Redentore, 13452
The face of Christ is presented in a symmetrical, frontal composition against a solid blue background. He is depicted with long, wavy reddish hair and a beard, framed by a prominent gold cruciform halo and wearing a dark garment with a geometric gold collar.
This work reflects the 'Logos' theology central to both Christian orthodoxy and the Neoplatonic currents that preceded the Florentine Renaissance. The emphasis on light and clarity aligns with the Dionysian belief that contemplation of physical beauty can lead the mind toward the immaterial Divine.
Pseudo-Dionysius the Areopagite
Dionysian light metaphysics, which posits that material light reflects divine beauty, heavily influenced the aesthetics of Dominican artists like Fra Angelico.
Thomas Aquinas
Fra Angelico's art serves as a visual translation of Thomistic theology, particularly the concept of 'claritas' (clarity) as a property of divine beauty.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
http://catalogo.fondazionezeri.unibo.it/scheda/opera/13452/
Public domain
1200 × 1200 px
a03925dab09fc2437eef310a974ef8f73a91f44d
July 31, 2022
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.