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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileBuddha Amitayus attended by bodhisattvas 11th century. Metmuseum
The central, golden-skinned Amitayus Buddha is depicted in deep meditation with hands resting in his lap holding a nectar vase, seated upon a vibrant red and green lotus base. He is framed by an ornate, flame-bordered mandorla. To his sides, two slim, pale-skinned bodhisattvas stand in graceful, slightly arched postures (tribhanga), one holding a lotus flower. The background is populated by smaller rows of seated, jewel-toned figures in diverse colors including red, green, and blue, all wearing traditional Buddhist attire and jewelry. The overall color palette is dominated by ochre, deep crimson, and earthy mineral pigments, characteristic of early Tibetan thangka painting.
This work represents the Pure Land tradition of Mahayana Buddhism, focusing on Amitayus, the deity of longevity. Such thangkas served as visual aids for visualization practices during ritual meditation, facilitating the practitioner's path toward rebirth in the Western Paradise (Sukhavati).
Sukhāvatīvyūha Sūtra
This text provides the foundational doctrine regarding the Buddha Amitayus and the Western Pure Land.
Object
painting
cotton (textile)
11th century
Tibetan
religious
Digital Source
Wikimedia Commons · Public domain
1192 × 1536 px
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 20, 2026. Getty identifiers are AI-inferred and may require verification.