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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileChristian iconography; or, The history of Christian art in the middle ages (1851) (14762588011)
The image is divided horizontally into two realms. In the upper register, a nimbate Christ sits enthroned in a circular mandorla, flanked by groups of angels with wings, his right hand raised in blessing and his left holding a book. In the lower register, a monstrous, wide-eyed Hellmouth occupies the base, its gaping maw filled with human figures and demons, while angelic figures descend from above to witness the scene. The line-art style is characterized by clear, uniform outlines typical of 19th-century reproductions of medieval woodcuts or illuminations.
This iconography reflects the medieval 'Doom' or 'Last Judgment' tradition, emphasizing the dichotomy between heavenly order and the chaotic, voracious nature of the Hellmouth, a common motif in medieval Western art derived from apocalyptic theology.
Fig. 166.
Didron, Adolphe Napoléon, 'Christian Iconography'
This image is a plate from Adolphe Napoléon Didron's nineteenth-century survey of medieval Christian artistic traditions.
Object
woodcut
paper
Medieval
European
religious
Digital Source
Wikimedia Commons · Public domain
1640 × 2484 px
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 20, 2026. Getty identifiers are AI-inferred and may require verification.