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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileChrist is presented frontally in a dark, gold-trimmed tunic known as a colobium, diverging from the traditional loincloth depiction. He wears a heavy golden crown, and a chalice—representing the Holy Grail—is positioned beneath his right foot to receive the symbolic blood of the Passion. The scene is set against a sprawling landscape of the Arno valley, blending archaic religious iconography with Renaissance naturalism.
The painting represents the 'Volto Santo' cult, which the Neoplatonic circles of Florence viewed as a miraculous, acheiropoieta (not made by human hands) image. It reflects the Renaissance synthesis of traditional piety and Neoplatonic light-metaphysics, where the material icon serves as a 'ladder' for the soul’s ascent to the divine as described by Marsilio Ficino.
Marsilio Ficino
Ficino's theories in 'Theologia Platonica' regarding the power of sacred images to mediate between the material and spiritual worlds provide the philosophical context for such venerated icons in Florence.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
Л.Мравик. Северо-итальянская живопись XV века. Будапешт: Корвина, 1984. ISBN 963-13-17455
Public domain
2100 × 2612 px
1f2eb456fd2eda0bc42f5ad165710300d50bce4f
January 18, 2008
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.