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Wikimedia Commons · CC BY-SA 3.0 · Hover to magnify, click for fullscreen
Original fileThis narrow horizontal panel depicts a lively group of hybrid sea creatures and nymphs moving through shallow waters along a sandy shoreline. Figures are shown in various states of interaction: some blow large curved horns, others wrestle or embrace, and a young sea-child rides atop a winged aquatic monster. The painting is characterized by a whimsical and slightly grotesque approach to anatomy, typical of the artist’s interest in the primitive origins of life.
Piero di Cosimo was deeply influenced by Lucretius’s 'De rerum natura', and his depictions of hybrid creatures explore the Renaissance fascination with the 'primitive' state of the world before civilization. This work reflects the Neoplatonic interest in the diverse forms of the 'Great Chain of Being' and the mythic evolution of nature as discussed in the circles of Marsilio Ficino.
Lucretius
Piero’s imagery of hybrid beings and primeval life is frequently linked to the descriptions of the origins of species in 'De rerum natura'.
Ovid
The Metamorphoses serves as the primary literary source for the various marine deities and hybrids depicted.
Object
Oil on panel
mythological
Digital Source
Wikimedia Commons · CC BY-SA 3.0
Milan, User:Ciaroni
Creative Commons Attribution-Share Alike 3.0
6462 × 1594 px
04df47761f95f0d2463b0aac68376ed4947f0927
April 29, 2011
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.