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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileA youthful Saint John with long, curled hair is shown wearing a vibrant blue tunic and a heavy red mantle draped over his shoulder. He gazes downward with a serene expression, raising his hand in a benediction that causes a small, coiled snake to rise from a golden cup. The dark, minimalist background focuses attention on the luminous skin tones and the sculptural folds of the drapery.
St. John was viewed by Renaissance Neoplatonists as the 'Platonic' Apostle due to his Gospel's focus on the Logos, which they harmonized with ancient Greek philosophy. The motif of the serpent leaving the chalice represents the triumph of the spirit over toxic matter, a theme that mirrors alchemical concepts of purification and the transmutation of the 'venenum' into a life-giving elixir.
Marsilio Ficino
Ficino and his circle in Florence elevated John as the primary witness to the Divine Word (Logos), bridging the gap between Hermes Trismegistus, Plato, and Christ.
The Gospel of John
The theological source for the concept of the Logos, which was the foundational text for Christian Hermeticism and Neoplatonism.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
own photo
Public domain
1953 × 2754 px
72afac7c02fe2f8c96e81014e7abd32cbfd4859f
October 2, 2011
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.