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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe scene shows the Virgin Mary kneeling in prayer under the shadow of a large, shaggy palm tree, while Joseph rests nearby. To their right, a shepherd and his flock are perched on a rugged cliffside, overlooking an ox and a donkey near a ruined stone column. A white lily, symbolizing purity, is visible in the lower right corner against a backdrop of soft, billowing clouds.
Piero di Cosimo's work reflects the atmosphere of Neoplatonism in late 15th-century Florence, where classical ruins were often used to symbolize the passing of the old pagan world order at the moment of the Incarnation. His idiosyncratic, highly detailed approach to nature aligns with the Florentine interest in the 'primitive' history of mankind as discussed in the works of Lucretius and favored by the Medici circle.
Marsilio Ficino
Ficino’s Neoplatonic synthesis sought to harmonize classical antiquity with Christian revelation, a theme visually represented here by the placement of the Nativity among classical ruins.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
The Yorck Project (2002) 10.000 Meisterwerke der Malerei (DVD-ROM), distributed by DIRECTMEDIA Publishing GmbH. ISBN: 3936122202.
Public domain
2024 × 2472 px
35834677e1d82f6d65e858d07cbf9fa5146c227f
May 20, 2005
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.