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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileŒdipus Ægyptiacus, 1652-1654, 4 v. 1313 (25886686301)
This black-and-white print features two ceramic vessels set on pedestals, rendered in a clean, schematic ink-line style. The left jar bears a stylized engraving of a mummiform entity with a nemes headdress, flanked by two small arrow-like symbols. The right jar displays a rectangular inset panel filled with non-standard, linear signs that mimic the appearance of Egyptian hieroglyphs, including a bird-like glyph at the base. The background is plain, emphasizing the contour and ornamentation of the two objects.
These illustrations originate from Athanasius Kircher's 'Oedipus Aegyptiacus', a foundational 17th-century work that attempted to decipher Egyptian hieroglyphs as a repository of primordial Hermetic wisdom. The pseudo-hieroglyphs reflect the contemporary European fascination with, and fundamental misunderstanding of, ancient Egyptian semiotics prior to the Rosetta Stone discovery.
Athanasius Kircher
Kircher is the author and polymath responsible for the compilation and interpretation of the Egyptian symbols depicted here.
Object
woodcut
laid paper
Baroque
Italian
scientific
Digital Source
Wikimedia Commons · Public domain
2781 × 2502 px
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 20, 2026. Getty identifiers are AI-inferred and may require verification.