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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileŒdipus Ægyptiacus, 1652-1654, 4 v. 1329 (25886674661)
The image is divided into two horizontal registers labeled 'PARS PRIOR' and 'PARS POSTERIOR'. In the top register, three figures in classical tunics walk to the right: the first holds a bowl containing a bird and a small figurine; the second carries a similar vessel with a small god-figure; the third plays a large triangular harp. In the bottom register, three figures continue the procession: the first holds a circular tympanum or drum; the second holds a sistrum (rattle) and a tall palm frond; the third carries a tall staff topped with a figure of a bull or animal. The figures are rendered in a clean, schematic line-art style typical of 17th-century woodcuts or engravings.
This plate is part of Athanasius Kircher's 'Oedipus Aegyptiacus', a monumental attempt to decode Egyptian hieroglyphics and reconcile them with Hermetic and Christian thought, drawing here on the Roman novelist Apuleius to reconstruct ancient rites.
Pompa Isiaca iuxtà Apuleij descriptionem, ex hortis Mediceis. PARS PRIOR. PARS POSTERIOR.
Translation
Isiac Procession according to the description of Apuleius, from the Medici gardens. PART ONE. PART TWO.
Apuleius, The Golden Ass
Kircher explicitly cites Apuleius's description of the procession of Isis in Book XI of The Golden Ass as the source for these ritual figures.
Object
engraving
laid paper
Baroque
Italian
mythological
Digital Source
Wikimedia Commons · Public domain
2748 × 3935 px
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 20, 2026. Getty identifiers are AI-inferred and may require verification.