
Wikimedia Commons · CC0 1.0 · Hover to magnify, click for fullscreen
Original fileChristus als Man van Smarten, zittend
About This Work
A sorrowful Christ sits in a state of quiet suffering, wearing the crown of thorns with a radiant halo emanating from his head. He holds the scourge and a bundle of rods used during his flagellation, while the nail wounds in his hands and feet are prominently displayed. The stark, linear style emphasizes the physical and emotional weight of the Passion as a subject for solitary meditation.
This image reflects the 16th-century 'Devotio Moderna' movement, which encouraged empathetic contemplation of Christ's humanity—a focus shared by Northern Humanists like Erasmus and Reuchlin. In the esoteric context of Dürer’s circle, such images served as a bridge between material suffering and the Neoplatonic ascent of the soul toward divine light.
Inscriptions
1515
Connected Texts
Johannes Reuchlin
Dürer moved in the same humanist circles as Reuchlin, whose Christian Kabbalah emphasized the mystical significance of the name and wounds of Christ.
Thomas à Kempis
The author of 'The Imitation of Christ', which provides the primary devotional framework for the Man of Sorrows iconography.
Provenance & Source
Object
Rijksmuseum, Amsterdam
paper
height 111 mm x width 67 mm
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.