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Original fileAbout This Work
A circular engraving depicting the central moment of the Passion, with Christ emitting rays of divine light from his head and body. At the foot of the cross, Mary Magdalene kneels near a human skull, while the Virgin Mary and other mourning figures stand to the right and a Roman soldier stands to the left. The scene is rendered with intricate, dense cross-hatching that creates a dramatic sense of depth within the roundel format.
The inclusion of a skull at the base of the cross refers to the tradition that Golgotha was the burial place of Adam, symbolizing the redemption of humanity's original fall through Christ as the 'Second Adam.' This typological connection between the beginning and end of human history was a central theme in Renaissance natural philosophy and Christian Kabbalah.
Inscriptions
IЯИI
Connected Texts
Jacobus de Voragine
His 'Golden Legend' popularized the tradition that Christ's cross was planted in the grave of Adam at Golgotha.
Nicholas of Cusa
Dürer was influenced by Cusanus's mystical geometry and the idea of the 'coincidence of opposites' in divine representation.
Provenance & Source
Object
Rijksmuseum, Amsterdam
paper
diameter 39 mm
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.