Loading...
De kruisiging

Wikimedia Commons · CC0 1.0 · Hover to magnify, click for fullscreen

Original file
PrintCC0 1.0

De kruisiging

Albrecht Dürer

1517
paper
diameter 39 mm
Rijksmuseum, Amsterdam

About This Work

A circular engraving depicting the central moment of the Passion, with Christ emitting rays of divine light from his head and body. At the foot of the cross, Mary Magdalene kneels near a human skull, while the Virgin Mary and other mourning figures stand to the right and a Roman soldier stands to the left. The scene is rendered with intricate, dense cross-hatching that creates a dramatic sense of depth within the roundel format.

The inclusion of a skull at the base of the cross refers to the tradition that Golgotha was the burial place of Adam, symbolizing the redemption of humanity's original fall through Christ as the 'Second Adam.' This typological connection between the beginning and end of human history was a central theme in Renaissance natural philosophy and Christian Kabbalah.

Jesus ChristVirgin MarySaint John the EvangelistMary MagdaleneRoman soldierAdam's skulltitulus crucis73D6473D64111D12

Inscriptions

IЯИI

Connected Texts

Jacobus de Voragine

His 'Golden Legend' popularized the tradition that Christ's cross was planted in the grave of Adam at Golgotha.

Nicholas of Cusa

Dürer was influenced by Cusanus's mystical geometry and the idea of the 'coincidence of opposites' in divine representation.

Provenance & Source

Object

Holding Institution

Rijksmuseum, Amsterdam

Medium

paper

Dimensions

diameter 39 mm

GenreAI

religious

Digital Source

Source

Rijksmuseum · CC0 1.0

Original Resolution

3840 × 3832 px

Harvested

March 24, 2026

Linked Data

AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.

View full resolution (3928 × 3920)

This library is built in the open.

If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.