Een tekenaar tekent een vrouw

A man sits at a table equipped with a vertical wooden frame containing a grid of threads, looking through a fixed sighting point to observe a reclining female model. He translates the complex, foreshortened curves of her body into mathematical coordinates on a gridded sheet of paper. The scene illustrates a clinical, geometric approach to the human form, emphasizing the intersection of art and measurement.

Featured in Dürer’s 'Underweysung der Messung' (1525), this image codifies the shift toward natural philosophy and mathematical optics in art. It reflects the Renaissance ambition to harmonize the physical world with the abstract laws of geometry, a core tenet of both early modern science and the Neoplatonic belief in a mathematically ordered universe.