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Original fileAbout This Work
This woodcut depicts Christ on the cross with the INRI title above his head, set against a background of dense foliage. To the left, the Virgin Mary stands in a state of mourning, while Saint John the Evangelist looks upward from the right. At the foot of the cross lies a skull and a small tablet bearing the date and the artist's monogram.
Dürer’s work often applied the principles of divine proportion to the human form, reflecting the Renaissance Neoplatonic belief that the human body is a microcosm of the divine. The skull at the base refers to the tradition that Christ was crucified over the grave of Adam, a symbolic link between the 'Old Adam' and 'New Adam' central to Christian Kabbalah.
Inscriptions
INRI 1510 AD
Connected Texts
Johannes Reuchlin
Reuchlin’s Christian Kabbalah explores the relationship between the first man (Adam) and the redeemer, a theological concept visualized by the skull at the base of the cross.
Heinrich Cornelius Agrippa
Agrippa and Dürer both engaged with the concept of the 'Homo Quadratus' and the divine geometry of the human body as expressed in sacred art.
Provenance & Source
Object
Rijksmuseum, Amsterdam
paper
height 120 mm x width 97 mm
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.