
Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileL'Apocalypse (Edition allemande) Le Dragon à sept têtes et la Bête aux cornes d'agneau (Bartsch 74), GDUT4128
About This Work
In the lower portion, a crowd of diverse people, including a king, kneels in adoration before a seven-headed monster rising from the sea. To the left, a second beast with two lamb-like horns emerges from the earth. Above the clouds, a crowned divine figure sits on a throne holding a sickle, while angels with sickles execute the judgment and harvest of the world.
Created during a period of intense millenarian expectation leading up to the year 1500, this work exemplifies the late medieval preoccupation with apocalyptic prophecy. It represents the height of visionary printmaking, translating the complex allegories of St. John’s Revelation into a definitive visual language that influenced both religious and esoteric thought for centuries.
Inscriptions
AD
Connected Texts
Book of Revelation
A direct visual interpretation of chapters 13 and 14, depicting the rise of the beasts and the harvest of the earth.
Liber Chronicarum (Nuremberg Chronicle)
Produced in the same intellectual and artistic milieu (Nuremberg, late 1490s) as Dürer's work, sharing its focus on world history and terminal prophecy.
Collections
Provenance & Source
Object
Engraving
religious
Digital Source
Wikimedia Commons · CC0
https://www.parismuseescollections.paris.fr/fr/petit-palais/oeuvres/l-apocalypse-edition-allemande-le-dragon-a-sept-tetes-et-la-bete-aux-cornes-d#infos-principales
Creative Commons Zero, Public Domain Dedication
3492 × 4824 px
344f9b94d37c286dc88628a5e4ac8d44e70d4d00
June 26, 2023
March 24, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.