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Original fileAbout This Work
The scene is a densely populated composition showing Christ collapsed on the ground at the center, struggling with the cross. To the left, a soldier on horseback carries a large fluttering banner emblazoned with the Imperial Eagle, while the background features detailed towers and fortifications of a Renaissance-era city. The figures are dressed in a mix of contemporary 16th-century German armor and exoticized Oriental costumes, reflecting the artist's late style.
This late work by Dürer reflects the 'Imitatio Christi' tradition, focusing on the human suffering and physical burden of the savior, a theme central to Northern European piety and early Reformation thought. Dürer’s mastery of perspective and anatomical precision in these religious works provided the technical foundation for the 17th-century esoteric engravers who would later use similar visual languages to depict alchemical and hermetic transformations.
Inscriptions(Latin)
ALBERTVS · DVRER · SVPER · PADVA · HAC · COLORE · IECINERICE · FORTVITO · ET · CITRA · VLLAM · A · VERIS · IMAGINIBVS · DELINIATIONEM · FACIEBAT · ANNO · SALVTIS · M · D · XXVII · AETATIS · VERO · SVAE · LVI · [AD Monogram]
Translation
ALBERT DURER MADE THIS OVER PADUA WITH ASH-COLORED PIGMENT, ACCIDENTALLY AND WITHOUT ANY DELINEATION FROM THE TRUE LIKENESSES, IN THE YEAR OF SALVATION 1527, AND OF HIS AGE THE 56TH. [AD Monogram]
Connected Texts
Thomas à Kempis
Dürer's Passion scenes were visual counterparts to the meditative tradition of 'The Imitation of Christ,' emphasizing personal identification with Christ's trials.
Collections
Provenance & Source
Object
Engraving
religious
Digital Source
Wikimedia Commons · Public domain
https://archive.org/details/gri_33125001303888/page/n301/mode/1up
Public domain
1717 × 1145 px
0216adcdcb7634e53bdf366be3da93fd383986b0
January 18, 2022
March 24, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.