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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe upper portion of the panel shows Christ placing a crown on the head of the kneeling Virgin Mary within a golden glow and nested blue rings representing the celestial spheres. Below them, a group of Franciscan saints and holy women gaze upward, while the surrounding space is filled with angels playing instruments and winged cherub heads. The figures at the bottom stand upon a layer of clouds, bridging the gap between the terrestrial and the divine.
This work reflects the Neoplatonic atmosphere of late 15th-century Florence, where the hierarchical structure of the heavens was a central point of study. The depiction of the concentric celestial spheres mirrors the cosmological models described by Marsilio Ficino and the revival of Pseudo-Dionysius the Areopagite's celestial hierarchies within the Medici circle.
Pseudo-Dionysius the Areopagite
The arrangement of the angelic host and the layered heavens follows the traditional hierarchy established in 'De Coelesti Hierarchia'.
Marsilio Ficino
Ficino's Neoplatonic synthesis in 1480s Florence provided the intellectual framework for visualizing the soul's ascent through the nested spheres of the cosmos.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
Web Gallery of Art: Image Info about artworkwga QS:P11807,"/g/ghirland/domenico/7panel/04corona"
Public domain
794 × 1100 px
4670c310db6fcd39a99b7f62af78c085de848dfe
June 12, 2010
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.