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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
Three elegantly dressed women are positioned around a large tree in a lush landscape. One sister kneels to peer into a woven basket, revealing a child with a coiled snake-like lower body, while a crow perched on a branch above watches the scene. This moment depicts the sisters' fatal curiosity as they disobey the goddess Athena's command to leave the basket closed.
Based on Ovid's Metamorphoses, this myth explores themes of forbidden knowledge and the chthonic origins of life. In the late 16th century, the birth of Erichthonius from the earth (via the seed of Vulcan) was often viewed as an allegory for the spontaneous generation of matter or the hidden 'fixed' forces within natural philosophy.
Mandat Erichonium Tritonia Cecrope natis Et temere inspiciant ne sua sacra iubet. Vimen at Aglauros referat geminasq[ue] sorores Debitum cornix garrula cernit auis.
Translation
Tritonia commands that Erichthonius be carried And that they not rashly gaze upon her sacred rites. But Aglauros brings back the wicker basket, and the chattering Crow, a bird fated to be so, discerns the twin sisters.
Ovid, Metamorphoses
The primary literary source for the narrative of the daughters of Cecrops and the discovery of Erichthonius.
Karel van Mander
Goltzius's close associate who provided moralized, Neoplatonic interpretations of Ovidian myths in his 'Wtlegghingh op den Metamorphosis'.
Object
National Gallery of Art, Washington
Engraving
mythological
Digital Source
Wikimedia Commons · Public domain
National Gallery Of Art
Public domain
3000 × 2172 px
66b9eb73dba8bffe81c3f588eeb4f84bb5a56a04
December 12, 2014
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.