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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileA woman representing Sight gazes into a mirror while an artist captures her image on a canvas. Nearby, an elderly man peers through spectacles and a scholar uses a compass on a globe, illustrating different methods of observation. The foreground and sky are filled with symbols of keen vision, including a lynx, a sundial, and a soaring eagle.
This work reflects the Neoplatonic hierarchy of the senses, where sight was championed as the most noble and intellectual sense, essential for the study of natural philosophy and the contemplation of divine order. It captures the late Renaissance transition where artistic mimesis and scientific measurement began to overlap in the pursuit of understanding the macrocosm.
HG. Inuent, I. Saenr. sculp. R. de baudous excudit, 1616 Hæc memini nocuiße atque oblectaße videntes.
Translation
HG. invenit, I. Saenr. sculpsit. R. de Baudous excudit, 1616 I remember that these things have harmed and delighted those who saw them.
Marsilio Ficino
In his commentaries on Plato, Ficino identifies sight as the primary sense that allows the soul to perceive the beauty of the world as a reflection of divine light.
Object
Rijksmuseum, Amsterdam
Engraving
allegory
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.515394
Creative Commons Zero, Public Domain Dedication
4462 × 5896 px
3c58c4b4c9e23f86bbafea7f925a9796dc9a7302
December 9, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.