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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileA muscular winged putto hovers within a sky of stylized, swirling clouds, drawing his bow to release an arrow toward the world below. This engraving is a study of a figure from Raphael’s fresco cycle in the Villa Farnesina, which depicts the story of Cupid and Psyche. The artist employs dense hatching and curved lines to emphasize the three-dimensional form and movement of the figure.
In the Neoplatonic tradition of the Renaissance, Cupid represents the intermediary power of Eros that draws the soul toward divine beauty. The myth of Cupid and Psyche was interpreted by philosophers as an allegory for the human soul's descent into the material world and its eventual ascent to spiritual union.
naar Raphaël in de Farnesina L P van der [unintelligible] v d H
Translation
after Raphael in the Farnesina L P van der [unintelligible] v d H
Marsilio Ficino
In 'De Amore', Ficino identifies Cupid as the driving force of the soul's desire to return to its divine origin.
Apuleius
His work 'The Golden Ass' is the primary source for the myth of Cupid and Psyche depicted in the Raphael cycle this print references.
Object
Rijksmuseum, Amsterdam
Engraving
mythological
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.105260
Creative Commons Zero, Public Domain Dedication
6266 × 4010 px
95b18236e85be92171d5a0761f4808e989d92ed2
November 4, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.