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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileApollo Belvedere Apollo Pythivs (titel op object) Drie antieke beelden te Rome naar Goltzius (serietitel)
after Hendrick Goltzius
The print depicts the celebrated ancient Roman marble statue of Apollo within a darkened niche, highlighting his idealized physique and graceful pose. To the bottom right, a young draughtsman sits with a sketchbook, illustrating the Renaissance practice of learning through the imitation of classical antiquity. The god is shown with his signature quiver and a serpent coiled around the tree trunk support, referencing his victory over the dragon Python.
Apollo was a central figure in Neoplatonic solar theology, often identified by thinkers like Marsilio Ficino as a symbol of the divine intellect and the 'logos' that illuminates the human soul. This work exemplifies the Renaissance effort to recover the aesthetic and spiritual power of the 'Classical Mysteries' through precise anatomical and artistic study.
APOLLO PYTHIVS. 2 Frederick de Wit excudit
Translation
APOLLO PYTHIUS. 2 Frederick de Wit published this
Marsilio Ficino
In his 'De Sole', Ficino treats Apollo/the Sun as a primary symbol of divine providence and the visible image of God.
Porphyry
Porphyry’s 'On Images' discusses Apollo as the sun and the slayer of Python, representing the solar force overcoming the darkness of the lower elements.
Object
Rijksmuseum, Amsterdam
Engraving
mythological
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.collect.87200
Creative Commons Zero, Public Domain Dedication
4356 × 5920 px
5b7f99a8088d5c717812d37d342ca861ad1a2364
December 25, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.