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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
A muscular hunter stands in a rugged landscape, drawing a bow toward a bear crouching among the rocks. In the upper right corner, a divine whirlwind lifts a smaller human figure and a bear into the clouds, representing their transformation into the stars. The scene utilizes the dynamic, twisting poses and dramatic landscape characteristic of the Haarlem Mannerist style.
This print illustrates the concept of catasterism—the transformation of a being into a celestial body—which served as a foundational myth for Renaissance astrology and natural philosophy. It reflects the Neoplatonic interest in the 'Metamorphoses' of Ovid as an allegorical framework for understanding the relationship between the corruptible earthly realm and the eternal order of the cosmos.
Dictynnæ dilecta comes Junonis ob iram Ursa fit, et nati cuspide penè perit. Non tulit omnipotens, natamq; Lycaone, celso Arcide cum nato sydera in axe locat.
Translation
Beloved companion of Dictynna, because of Juno's wrath She becomes a bear, and almost perishes by her son's spear. The Almighty could not bear it, and the daughter of Lycaon, With her son, He places among the stars in the high heavens.
Ovid
This image is a direct illustration of Book II of the Metamorphoses, which chronicles the origin of the constellations Ursa Major and Ursa Minor.
Object
National Gallery of Art, Washington
Engraving
mythological
Digital Source
Wikimedia Commons · Public domain
National Gallery Of Art
Public domain
3000 × 2082 px
48f47e526aa87bb193a74715f88430769eab35a0
December 12, 2014
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.