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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileBacchus is depicted as a robust youth with vine leaves and grapes in his hair, lifting a shallow bowl in a triumphant gesture. Beside him, a young satyr feeds on grapes, while the corners of the composition feature satyr masks and ornate drinking vessels. The scene is enclosed in an oval frame, showcasing the swelling lines and intricate cross-hatching characteristic of the Haarlem Mannerist style.
In Renaissance Neoplatonism, Bacchus represents the 'divine frenzy' (mania) described by Marsilio Ficino as a means of liberating the soul from the body through ritual intoxication or poetic inspiration. This print also reflects the humanist interest in the triad of Bacchus, Ceres, and Venus, representing the elemental forces of nature and human desire.
HG Cornelio Cornelij Harlemæo Pictori egregio Xenij loco D. D. HGoltzius. Oblecto dulci mœrentia corda Lyæo, Osor tristicie, leticieq[ue] dabor. C. Schoneus.
Translation
HG To Cornelius Cornelisz of Haarlem, an eminent painter, in place of a gift, H. Goltzius gave and dedicated this. With sweet wine I delight mourning hearts, a hater of sadness, and a provider of joy. C. Schoneus.
Marsilio Ficino
Ficino's De amore discusses the Dionysian frenzy as one of the four divine madnesses that return the soul to the divine.
Object
The Metropolitan Museum of Art
Engraving
mythological
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
Creative Commons Zero, Public Domain Dedication
4037 × 5185 px
48bc87969e56d010fec4c00f2a8285afb957e6d3
July 11, 2017
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.