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Original fileBacchus is shown with a muscular physique, draped in a leopard skin and holding a shallow drinking vessel high above his head. He clutches clusters of grapes to his chest, while a smaller dark-skinned satyr emerges from the background to join the celebration. The entire scene is contained within an oval frame decorated with satyr masks and drinking vessels against a distant mountainous landscape.
In the Neoplatonic tradition revived by Marsilio Ficino, Bacchus represents the 'divine madness' or spiritual intoxication required to elevate the soul toward divine truth. As Lyaeus (the Loosener), he symbolizes the liberation of the mind from earthly constraints through the mysteries of nature and ritual ecstasy.
Cornelio Cornely Harlemao Pictori egregio xeniolj loco A° 1631 Oblecto dulci merentia corda Lyeo, Ofor tristitię, lęticięq[ue] dador.
Translation
To Cornelis Cornelisz. van Haarlem, an eminent painter, in lieu of a small gift. A.D. 1631 I delight deserving hearts with sweet Lyaeus [wine], I am the banisher of sadness and the giver of joy.
Marsilio Ficino
Ficino's Neoplatonic philosophy identifies the Bacchic furor as one of the four divine manias that purifies the soul and prepares it for intellectual illumination.
Object
Rijksmuseum, Amsterdam
paper
height 249 mm x width 177 mm
mythological
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.