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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
Venus sits at the center of the composition, flanked by Bacchus, who holds a bunch of grapes, and Ceres, who carries a cornucopia overflowing with fruit and a sickle. At the bottom left, Cupid reaches upward toward the grapes while Venus gazes upward in a state of languor. The scene illustrates the physical necessity of food and wine to sustain the fires of love and passion.
Based on a line from the Roman playwright Terence, this allegory was a popular subject in Northern Mannerism used to explore the interdependence of physical sustenance and human emotion. Within the Western esoteric and philosophical tradition, it reflects the Neoplatonic concern with how the material realm and the bodily humors directly influence the soul's capacity for desire and affection.
J. Kuyper p. gedi. 1862.
Translation
J. Kuyper p. burned 1862.
Terence
The print illustrates the famous line 'Sine Cerere et Baccho friget Venus' from the Roman playwright's comedy, Eunuchus.
Object
Rijksmuseum, Amsterdam
Engraving
allegory
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.210293
Creative Commons Zero, Public Domain Dedication
4002 × 5454 px
339e5a95e414ac8c4ce049abb53eda918fee5b98
November 9, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.