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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileBacchus is depicted in a heroic, muscular pose within an oval frame, lifting a shallow patera as a gesture of offering or celebration. A young satyr figures behind him, greedily clutching a bunch of grapes, while the surrounding decorative corners feature satyr masks and various styles of contemporary 16th-century drinking glasses. The engraving utilizes complex hatching and swelling lines to create a sense of three-dimensional volume and texture.
In the Neoplatonic tradition championed by Marsilio Ficino, Bacchus (Dionysus) represents 'divine madness' (furor divinus), a state of ecstatic inspiration that allows the soul to transcend the material world. This work reflects the Haarlem Mannerist interest in the classical mysteries and the personification of natural forces through mythological figures.
Oblecto dulci męrentia corda lyæo Osortristiciæ, leticiæq dactor
Translation
I delight mourning hearts with sweet wine, The giver of solace, and of joy.
Marsilio Ficino
Ficino's commentaries on Plato describe the Dionysian 'furor' as one of the four essential paths to divine knowledge through ritual and ecstasy.
Orphic Hymns
The Orphic Hymn to Dionysus invokes the god as the bringer of joy and the releaser of the soul, matching the sentiment of the Latin inscription.
Object
Rijksmuseum, Amsterdam
Engraving
mythological
Digital Source
Wikimedia Commons · CC0
https://hdl.handle.net/10934/RM0001.COLLECT.342329
Creative Commons Zero, Public Domain Dedication
4322 × 5734 px
6239cf0ff5416647ce5533fbef7cdf89e373d572
December 6, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.