This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
Bacchus is depicted as a muscular youth crowned with vine leaves and grape clusters, holding a shallow tazza high in his right hand. A small satyr at his side greedily consumes a bunch of grapes, while the central scene is enclosed in an ornate oval frame featuring masks and drinking glasses. The background shows a craggy mountain landscape, rendered with the swelling, rhythmic lines typical of the Haarlem Mannerists.
In the Neoplatonic philosophy of the Renaissance, Bacchus was the patron of 'divine frenzy' (furor divinus), a state of ecstasy described by Marsilio Ficino as a necessary step for the soul's spiritual transcendence. This work reflects the late 16th-century interest in classical mystery traditions, where Bacchic themes were used to explore the relationship between the physical senses and the elevation of the spirit.
H. Goltzius inv. [Handwritten in pencil:] Copie zelfde zijde naar Saenredam B. 65. RP-P-BI-785
Translation
H. Goltzius inv. [Handwritten in pencil:] Copy same side after Saenredam B. 65. RP-P-BI-785
Marsilio Ficino
Ficino’s Neoplatonic commentaries, particularly on Plato's Phaedrus, identify Bacchus with the divine madness required for the soul to achieve mystical union.
Object
Rijksmuseum, Amsterdam
Engraving
mythological
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.collect.76539
Creative Commons Zero, Public Domain Dedication
4450 × 6066 px
f1a7a03714db556b03f51406e99dec4366adc883
December 19, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.