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Wikimedia Commons · CC0 1.0 · Hover to magnify, click for fullscreen
Original fileThe goddess is shown in a half-length portrait framed by an oval, her head adorned with a wreath of wheat ears. She clutches a large cornucopia against her side, while a young assistant or putto looks upward, holding the curved blade of a harvesting tool. The corners of the print are decorated with stylized birds and agricultural motifs like gourds and melons.
This work belongs to a series exploring the classical trio of Bacchus, Venus, and Ceres, often used to symbolize how the gifts of the earth (food and wine) sustain the passions (love). In the context of natural philosophy, Ceres represents the generative power of the earth and the transition from primitive life to settled, agricultural civilization.
3. Jam fastidita quercu, iam glande remota , Percipe frugifere munera grata Deę . C. Schonaeus.
Translation
3. Now that the oak is scorned, now that the acorn is put away, Receive the grateful gifts of the fruit-bearing goddess. C. Schonaeus.
Terence
Source of the proverb 'Sine Cerere et Libero friget Venus' (Without Ceres and Bacchus, Venus freezes), which this series of prints illustrates.
Cornelis Schonaeus
The Neo-Latin poet who composed the moralizing distich at the bottom of the plate.
Object
Rijksmuseum, Amsterdam
copper (metal)
diameter 2.6 cm x weight 3.27 g
mythological
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.