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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileBerglandschap met een huis op de voorgrond Berglandschappen (serietitel)
after Hendrick Goltzius
The scene presents a dramatic view of nature, leading from a detailed wooden house and fence toward high, jagged mountain peaks. A walled settlement with towers sits in the middle ground near a body of water where two small sailing vessels are visible. The rhythmic, swirling lines throughout the engraving give a sense of movement to the clouds, rocks, and foliage.
This print reflects the late Renaissance fascination with the 'world landscape,' viewing the variety of the macrocosm as a manifestation of divine order. It represents the Haarlem Mannerist transition from stylized artifice toward the systematic observation of the natural world, a central tenet of early modern natural philosophy.
HG in. Ao 1608 Symon Frizius fecit, Robbertus de Baudous Excudebat, 2
Translation
HG inv. In the year 1608 Symon Frizius made it, Robbertus de Baudous published it,
Karel van Mander
In his 'Schilder-boeck' (1604), Van Mander, a close associate of Goltzius, provides the theoretical framework for landscape as an exploration of the diversity of nature.
Object
Rijksmuseum, Amsterdam
Engraving
landscape
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.113212
Creative Commons Zero, Public Domain Dedication
5464 × 3724 px
9bcba6ecc0a2ac745509b5ea888a0688ec16e34f
November 14, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.