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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileA youth in the foreground holds a massive two-branched candle, sending thick plumes of smoke into the high, arched ceiling of a Renaissance-style temple. The infant Christ is held by a priest over a basin while a diverse group, including a self-portrait of the artist on the far right, watches the ceremony. The engraving uses dense, swelling lines to create deep perspective and intricate textures in the figures' robes.
This print is part of Goltzius’s 'Meisterstiche' series, where he famously showcased his 'protean' talent by perfectly mimicking the style of Albrecht Dürer. This ability to transform his artistic hand was celebrated by contemporary Dutch humanists as an intellectual feat, aligning with Renaissance concepts of the artist as a creator who masters the laws of nature and history.
HG. fecit. Anno 1594 3
Karel van Mander
In his 'Schilder-boeck', Van Mander famously labels Goltzius a 'Proteus' of art for his ability to assume the styles of other masters, specifically citing this series.
Object
Rijksmuseum, Amsterdam
Engraving
religious
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.collect.88922
Creative Commons Zero, Public Domain Dedication
5774 × 4292 px
e7a34788fdfcfde404319587b0d41fc7e6d73b53
December 26, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.