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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileThe scene is set in a cavernous church modeled after the Sint-Bavokerk in Haarlem, where two large candles provide a dramatic light source that illuminates the central figures. In the foreground, a figure with his back to the viewer anchors the composition, leading the eye toward the delicate ritual taking place on a central dais. The engraving displays a wide variety of textures and atmospheric effects, from the heavy folds of the robes to the hazy, smoke-filled perspective of the background arches.
This work is part of Goltzius’s 'Life of the Virgin' series, where he demonstrated his 'protean' ability to masterfully imitate the styles of other great artists—in this case, Federico Barocci. In the intellectual context of the Haarlem Mannerists, such technical virtuosity was viewed as a reflection of the artist's divine creative spark, a concept central to Renaissance Neoplatonism.
t'Amsterdam bij Frederick de Wit inde Kalverstraet bij den Dam inde Witte Paskaert.
Translation
in Amsterdam by Frederick de Wit in the Kalverstraet by the Dam at the Sign of the White Chart.
Karel van Mander
Van Mander, a close associate of Goltzius, codified the Mannerist theories of 'imitatio' and 'emulatio' that this series was designed to exemplify.
Object
Rijksmuseum, Amsterdam
Engraving
religious
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.collect.88924
Creative Commons Zero, Public Domain Dedication
5892 × 4352 px
ad4c0a412c79ba240d68ceb8bc6c805bd1c71bba
December 26, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.