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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileA monumental church interior, modeled after the St. Bavo Cathedral in Haarlem, provides the backdrop for the circumcision of the Christ child. Figures fill the foreground and middle ground, with a self-portrait of the artist, Hendrick Goltzius, visible on the far right wearing a beard and a tall hat. The engraving uses dense, rhythmic line work specifically designed to emulate the technical style of the German master Albrecht Dürer.
This print is part of a series where Goltzius demonstrated his 'Protean' ability to mimic other masters, a concept tied to the Neoplatonic and Hermetic idea of the artist as a divinely-inspired creator who can transform his own nature. The blending of the biblical past with the artist's contemporary Dutch setting reflects the Northern Humanist effort to bridge sacred history with the present day.
HG. fecit 1594 RP-P-1900-A-21976 H. 59 I
Karel van Mander
In his Schilder-boeck, Van Mander famously characterizes Goltzius as a 'Proteus' or 'vertumnus' of art, linking his stylistic mimicry to the Hermetic concept of human mutability.
Object
Rijksmuseum, Amsterdam
Engraving
religious
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.collect.88923
Creative Commons Zero, Public Domain Dedication
5734 × 4256 px
35a2b9b76ddb8ba496a8df8c08c2bf95201f8f5e
December 26, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.