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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
A long-haired woman sits in a secluded landscape, her hand pressed to her chest in a gesture of sorrowful devotion. She contemplates a small crucifix resting on a rock, while a human skull sits in her lap as a meditation on mortality. An ornate ointment jar sits at her feet, and a fox moves along the rocky ledge behind her.
This work embodies the 'memento mori' tradition and the concept of 'metanoia'—a profound spiritual turning or transformation of the mind. It reflects the 17th-century emphasis on the contemplative life and the rejection of worldly vanity in favor of spiritual introspection.
Cum privil. Sa. Ca. M. HGoltzius Inue. Maetham sculp. et excud. Infelix nuper vitiorum serva, sequebar Omne voluptatum luxuriaque genus. Nunc sapio, doceoque amissam posse salutem Restitui lacrymis, qua metanoia ciet. SS
Translation
With the privilege of His Imperial Majesty. HGoltzius invenit. Maetham sculpsit et excudit. Unhappy, lately a slave to vices, I followed Every kind of pleasure and luxury. Now I am wise, and I teach that lost salvation Can be restored by tears, which repentance summons.
Ignatius of Loyola
The visual focus on symbols of mortality and the passion of Christ reflects the meditative practices of the 'Spiritual Exercises' common in late 16th-century piety.
Object
Noord-Hollands Archief, Haarlem
Engraving
religious
Digital Source
Wikimedia Commons · Public domain
https://hdl.handle.net/21.12102/98ba5564-6c35-56a6-9e33-5e7d6c43d259
Public domain
2528 × 3656 px
6fbe08eb1962ba46901e96385408f70516b88fbb
April 23, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.