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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
The personification of Charity stands in a classical landscape, nursing an infant while another child clings to her side. To the lower right, two toddlers share an affectionate embrace. The engraving uses the dynamic, swelling lines of the Haarlem Mannerist style to emphasize the muscularity and volume of the figures.
As the highest theological virtue, Charity represents 'Agape' or divine love, which Renaissance Neoplatonists viewed as the 'vinculum mundi'—the cosmic bond that holds the universe together and links the human soul to the divine.
3. Omnia Dia Agape diuino nectit amore, Et Superis vinclo nos propiore ligat.
Translation
3. All things Divine Love binds with holy affection, And links us to the celestial beings with a closer bond.
Marsilio Ficino
The inscription's description of love as a 'vinclo' (bond) that joins man to the divine aligns with Ficino's Neoplatonic theory of love as the unifying force of the cosmos in 'De Amore'.
Object
Noord-Hollands Archief, Haarlem
Engraving
allegory
Digital Source
Wikimedia Commons · Public domain
https://hdl.handle.net/21.12102/35f92b8e-7974-7f30-254d-c71e4a92d9fb
Public domain
2314 × 3482 px
4210d5fb6ead368deb06bd3d42b2013edb839dd3
April 18, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.