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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileIn a nocturnal courtyard, a calm and bound Jesus stands before the seated Caiaphas, who gestures from a raised platform while soldiers look on. The scene is illuminated by a soldier's lantern and a small fire in the background where figures huddle, set against a city skyline with a crescent moon and a comet. The work is characterized by the dense, rhythmic hatching and technical virtuosity typical of the Haarlem Mannerists.
Hendrick Goltzius was the leader of the Haarlem Mannerists, a circle that treated engraving as a highly intellectualized pursuit, often blending religious narrative with the study of 'natural philosophy.' The inclusion of the comet and crescent moon in the sky reflects the contemporary fascination with celestial portents as divine signs within the order of nature.
Ducitur ad magni preçelsa palatia Cayphæ, Quem Cayphas rogat, et cedit atrox famulus. Falso accusatus tacet, adiuratur Iesus: Damnatur, cæsus luditur, inspuitur. 4
Translation
He is led to the high palaces of great Caiaphas, Whom Caiaphas questions, and the cruel servant strikes. Falsely accused, Jesus is silent, he is adjured: He is condemned, beaten, mocked, and spat upon.
Karel van Mander
Goltzius's close collaborator whose 'Schilder-boeck' established the theoretical framework for the Haarlem circle's pursuit of spiritual and technical mastery in art.
Object
The Metropolitan Museum of Art
Engraving
religious
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
Creative Commons Zero, Public Domain Dedication
2359 × 3294 px
424c42572886a6aff553cfa2902c314c95f80f24
July 11, 2017
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.