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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileChrist is depicted stooped under the heavy weight of the cross, wearing the crown of thorns and being led by a rope. In the foreground, Saint Veronica kneels to present her veil, while the background features a steep mountain path leading to a massive, fortified circular tower. The engraving uses a fine, silver-gray line work characteristic of the artist's imitation of earlier Northern Renaissance masters.
Part of Goltzius's 'Master Prints' series, this work reflects the artist's engagement with the concept of stylistic metamorphosis. Produced within the intellectual circles of Haarlem, the print aligns with the 'Internalist' Christian mysticism of the Family of Love (Huis der Liefde), which emphasized inward spiritual transformation over external ritual.
INRI 9
Thomas à Kempis
The image facilitates the 'Imitatio Christi' tradition, a cornerstone of Northern European mysticism focusing on the internal identification with Christ's suffering.
Hendrik Niclaes
Goltzius was a member of Niclaes' 'Family of Love,' a spiritualist sect that sought a mystical, non-confessional path to divine union.
Object
The Metropolitan Museum of Art
Engraving
religious
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
Creative Commons Zero, Public Domain Dedication
2260 × 3430 px
b0f4275edce3f4b16bc6b0d218b0459a31ab938b
July 11, 2017
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.