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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
Venus reclines atop a mass of stylized clouds, her body twisting in a complex pose typical of the Mannerist style. Below her, a winged Cupid looks up while holding his bow and an arrow, while two doves—symbols of Venus—fly in the upper left. The entire composition is enclosed within an octagonal frame, with a Latin inscription at the base describing the goddess's cosmic role.
This work reflects the Renaissance Neoplatonic understanding of Venus as the 'Golden' mother of beauty who acts as a mediator between the human and the divine. The accompanying Latin verse explicitly identifies her role in binding the earthly and celestial realms through a 'mild covenant' of love, a central theme in the philosophical circle of the Haarlem Mannerists.
VENUS en CUPEDO Illa venustatis mater, venus aurea, blando Fœdere terrigenas, celicolasq. ligo. 2
Translation
VENUS and CUPID I, the mother of charm, golden Venus, with a gentle Covenant bind those born of earth and those of heaven. 2
Marsilio Ficino
Ficino's Neoplatonic theories on Venus as a cosmic force of attraction (Amor) provide the intellectual framework for the print's inscription regarding the union of earth and sky.
Object
Noord-Hollands Archief, Haarlem
Engraving
mythological
Digital Source
Wikimedia Commons · Public domain
https://hdl.handle.net/21.12102/a7df15f1-b3bb-88da-9fac-8d8c0c91c75a
Public domain
2589 × 3625 px
0347478a3fdbccd947e22a4fd467e1569fd686a7
April 21, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.