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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
Standing before the Temple of Themis with their heads veiled in piety, the couple casts stones—the 'bones' of Mother Earth—over their shoulders as commanded by an oracle. On the ground, these stones are shown in various stages of transformation, softening and taking the shapes of infants and young children. The rugged, coastal landscape in the background shows the receding floodwaters and the desolate state of the world they are tasked with rebuilding.
This scene from Ovid’s Metamorphoses was interpreted by Renaissance Neoplatonists as an allegory for the vivification of matter and the inherent vitality within the earth. The transformation of mineral stone into living flesh mirrors alchemical themes of transmutation and the restoration of life from a 'prima materia' after a period of dissolution.
12. Diluuio cessante, et subsidentibus undis, E saxis hominum gens reparata fuit Pyrrha nurus post terga iacit, post terga maritos Deucalion, durum nos genus unde sumus. HG. f.
Translation
12. As the flood ceased, and the waters subsided, From rocks the race of men was restored. Pyrrha casts stones behind her back, Deucalion casts them behind his, whence we are a hard race.
Ovid
This image is the twelfth plate in Goltzius's series illustrating Ovid's Metamorphoses, specifically Book I.
Object
National Gallery of Art, Washington
Engraving
mythological
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the National Gallery of Art. Please see the Gallery's Open Access Policy.
Creative Commons Zero, Public Domain Dedication
4000 × 2811 px
1530a0dff9e3ee5960a3ceea9408333b7fc4ec44
September 11, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.