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Wikimedia Commons · CC BY-SA 4.0 · Hover to magnify, click for fullscreen
Original fileA radiant light emanates from the infant Christ as Mary lifts a cloth to show him to a group of shepherds. To the left, an elderly Saint Joseph holds a lit candle, while above, a celestial vision of angels breaks through heavy clouds. The composition features the dynamic, muscular figures and dramatic contrasts characteristic of the late sixteenth-century Haarlem school.
This print is part of Goltzius's 'Meisterstiche' series, created to demonstrate his 'Protean' ability to masterfully imitate the styles of other famous artists—in this case, the Venetian Jacopo Bassano. The inscription's use of the term 'machina mundi' (machine of the world) reflects the contemporary philosophical view of the cosmos as a divinely constructed mechanism.
HG 1594 3. Cœli opifex, rerum dominus, Divu[m] atq[ue] hominum Rex Nascitur en vilis tuguri sub paupere tecto. Et præsepe tenet, quem non capit arduus æther, Non mare, non tellus, non vasti machina mundi. F. Estius.
Translation
HG 1594 3. Creator of heaven, Lord of all things, King of gods and men, Lo, he is born under the humble roof of a lowly hut. And he, whom the lofty ether cannot contain, Nor the sea, nor the earth, nor the machine of the vast world, occupies a manger. F. Estius.
Karel van Mander
Van Mander's 'Schilder-boeck' praises Goltzius's ability to mimic the styles of masters like Bassano, Dürer, and Lucas van Leyden in this specific series.
Jacopo Bassano
Goltzius intentionally executed this engraving in the style of Bassano to prove his technical and stylistic virtuosity.
Object
Engraving
religious
Digital Source
Wikimedia Commons · CC BY-SA 4.0
Own work
Creative Commons Attribution-Share Alike 4.0
1636 × 2228 px
04b6dd5ce88a313a2c8cb273b2b9ac6d8ae79ee4
August 25, 2023
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.