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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileJohn the Baptist stands on a rocky bank, pouring water from a shell onto the head of Jesus, who stands in the river with his arms crossed. To the left, two winged angels watch the scene from behind a large, gnarled tree. The Holy Spirit descends from a burst of light in the sky as a dove, while a distant landscape with a bridge and buildings completes the background.
As a work by Hendrick Goltzius, this engraving exemplifies Haarlem Mannerism, a style that prioritized complex, idealized human forms and technical virtuosity. In the context of Northern European thought, the descent of the Holy Spirit (Pneuma) reflects the Neoplatonic interest in the mediation between the divine intellect and the material world.
Johan Colart sculp. HGoltzius Inuen. et excu. Ao 85. Abluitur nullo foedatus crimine Christus, Nos quoq[ue] seruandos hac ratione docens. fol. 159
Translation
Johan Colart engraved this. HGoltzius designed and published it, in the year 85. Christ, untainted by any sin, is washed, Teaching us also the way we must be saved. fol. 159
Karel van Mander
Van Mander was a close collaborator of Goltzius and the primary theorist for the Haarlem Mannerists, whose 'Schilder-boeck' outlines the intellectual underpinnings of this artistic circle.
Object
Rijksmuseum, Amsterdam
Engraving
religious
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.432009
Creative Commons Zero, Public Domain Dedication
4050 × 5554 px
3848c881e58c1d43f73adeec33a213ff1afabd91
December 15, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.