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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileDoornenkroning van Christus De Passie (serietitel)
after Hendrick Goltzius
Christ sits bound and resigned as a soldier uses long staves to force a crown of thorns onto his head. A torch held aloft casts dramatic light over a diverse crowd in varied attire, including figures in turbans and feathered hats who observe the scene from the shadows. The architectural setting and intense character studies reflect a revival of earlier Northern Renaissance styles.
Hendrick Goltzius was a leading figure of the Haarlem Mannerists, and this series showcases his ability to emulate the style of earlier masters like Lucas van Leyden. In Western esoteric traditions, particularly spiritual alchemy, the stages of the Passion were often interpreted as allegories for the 'mortificatio' or the painful purification of the soul and the alchemical substance.
1618 HG NB
Jacob Boehme
Boehme and other spiritual alchemists frequently used Christological suffering as a metaphor for the transformation of the 'inner man' and the purification of the soul.
Rosarium Philosophorum
This alchemical text uses the motif of the 'suffering king' as a direct parallel to the chemical processes of dissolution and rebirth.
Object
Rijksmuseum, Amsterdam
Engraving
religious
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.collect.88951
Creative Commons Zero, Public Domain Dedication
4098 × 5678 px
63ebfcbb7d2ec618c1a2abd14e693a056e5a44b9
December 26, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.