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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileThe figure is depicted as a gaunt, elderly woman with a suspicious expression, tightly guarding her wealth. She holds a wooden chest and a large purse against her chest, while additional bags of coin hang from her waist. The engraving features the characteristic swelling lines and dramatic drapery of the Haarlem Mannerist style.
This print belongs to a series on the Seven Deadly Sins, which in the Western esoteric tradition represent the material 'weights' or lower passions that the soul must overcome to achieve spiritual purification. The use of the griffin and toad in the coats of arms reinforces the theme of hoarding and the corrosive nature of earthly greed.
6 Seruit Auarities auriq3 voragine mersa, Hostis acerba sibi est, cunctisq3 infesta propinquis. HG Inve FE
Translation
6 Greed serves, submerged in a gulf of gold, A bitter enemy to itself, and hostile to all its kin. HG Inve FE
Prudentius
His work 'Psychomachia' established the standard Western iconographic tradition of personifying Virtues and Vices as figures in conflict.
Marsilio Ficino
Ficino’s Neoplatonism describes the soul's ascent as a process of shedding the 'vices' associated with the material world.
Object
Rijksmuseum, Amsterdam
Engraving
allegory
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.collect.74960
Creative Commons Zero, Public Domain Dedication
4442 × 7354 px
fb9b56f77b04235b2b925c99793796e1759a7439
December 18, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.