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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileGraflegging van Christus De Passie (serietitel)
after Hendrick Goltzius
A group of mourners gathers in a dark, rocky cavern to bury Jesus. Mary Magdalene kneels in the foreground near her ointment jar and the discarded crown of thorns, while the Virgin Mary and St. John the Evangelist look on from the left. A deep tunnel in the background leads to a sunlit opening, creating a dramatic sense of depth and contrast.
Hendrick Goltzius was a central figure in the Haarlem Mannerist circle, which was influenced by the spiritualist and Neoplatonic ideas of Dirck Coornhert. This series, imitating the styles of earlier masters, reflects the 'Protean' nature of the artist—a Hermetic concept of the soul's ability to transform and mirror the divine through creative mimicry.
1596 HG 11
Karel van Mander
Van Mander, a close associate of Goltzius, theorized the concept of 'uuyt den geest' (from the spirit/mind) in his Schilder-boeck, connecting artistic technique to spiritual insight.
Dirck Volckertszoon Coornhert
Goltzius's teacher and a Christian humanist whose 'Zedekunst' emphasized internal spiritual perfection over external dogma, influencing the Haarlem circle's approach to sacred themes.
Object
Rijksmuseum, Amsterdam
Engraving
religious
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.collect.88965
Creative Commons Zero, Public Domain Dedication
4018 × 5546 px
92eaf4bf2ae44f2a38ea916a0d6ebfdb975a6a1c
December 26, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.