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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileA powerful, muscular Hercules stands over the defeated giant Cacus, who reaches up in a futile gesture of defense. The scene is set in a rocky cave littered with human remains, while stolen cattle and several witnesses are visible in the background. The use of multiple ink tones creates a dramatic, sculptural effect that emphasizes the physical strain and anatomical detail of the combatants.
In the Renaissance Neoplatonic tradition, Hercules served as a primary archetype for the soul's triumph over earthly vice and the 'monsters' of the lower passions. The slaying of Cacus—whose name relates to the Greek word for 'evil'—symbolizes the victory of divine reason and light over the hidden, subterranean forces of deception.
A. 1588 HGoltzius Inue.
Translation
A. 1588 H. Goltzius invenit
Coluccio Salutati
His treatise 'De laboribus Herculis' defined the Renaissance understanding of Hercules as a philosopher-hero whose labors were allegories of moral and intellectual struggle.
Virgil
The primary literary source for the battle between Hercules and Cacus is found in Book VIII of the Aeneid.
Object
Engraving
mythological
Digital Source
Wikimedia Commons · Public domain
Image: http://collections.lacma.org/sites/default/files/remote_images/piction/ma-31735193-O3.jpg Gallery: http://collections.lacma.org/node/211690 archive copy at the Wayback Machine
Public domain
1702 × 2100 px
e9259660702edf9fecc069a8854ce4c136720524
April 30, 2014
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.