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Wikimedia Commons · CC0 1.0 · Hover to magnify, click for fullscreen
Original fileTwo semi-nude figures are seated outdoors, with Hope leaning against a large anchor and Confidence holding a wooden mallet over an anvil. The figures are rendered with the characteristic muscularity of the Haarlem Mannerist style, set against a rolling landscape with a village in the distance. The scene captures the moment of union between two virtues essential for spiritual and moral endurance.
This work reflects the late 16th-century humanist interest in Neo-Stoicism and the cultivation of internal virtues as a means of navigating worldly suffering. By pairing Hope with Confidence (or Faith), Goltzius illustrates a philosophical pathway to the 'astra' (stars/divine), suggesting that the human spirit is nourished and elevated through these specific psychological states.
Fidutia Spes Spes alit humanos per tot discrimina casus, Pandit ad astra viam Spes, comitata Fide. 2.
Translation
Trust Hope Hope sustains humans through so many critical hazards, Hope opens the way to the stars, accompanied by Faith. 2.
Justus Lipsius
The print aligns with Lipsian Neo-Stoicism, which emphasized the use of internal virtues like Hope and Trust to achieve 'constantia' amidst external political and religious turmoil.
Cesare Ripa
The use of personifications and specific attributes like the anchor for Hope follows the iconographic tradition codified in works like the Iconologia.
Object
Rijksmuseum, Amsterdam
paper
height 153 mm x width 205 mm
allegory
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.