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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileJupiter, crowned and holding a thunderbolt, gazes at Juno as she leans back against his chest. His eagle is partially visible to the right, and the scene is set within a swirling sky of heavy clouds. The composition emphasizes the physical intimacy of the deities, rendered with the muscular, elongated forms characteristic of Dutch Mannerism.
This print allegorizes the 'Golden Age' and cosmic harmony; the inscription suggests that when the supreme celestial pair are united in peace, the destructive thunderbolts are stilled. In the Neoplatonic context of the late 16th century, such unions represented the reconciliation of opposing planetary or elemental forces into a state of universal concord.
Leta Iovis thalamos quoties Saturnia visit Blanditurg[ue] Deo roseis innixa lacertis, Tela trisulca vacant, tonitrug[ue] per ethera nullum, Celicole Peana canunt, pax aurea mundo est. F. Estius.
Translation
As often as Saturnia visits the chambers of Jove And caresses the God, leaning on her rosy arms, The three-forked weapons are idle, and there is no thunder through the heavens, The inhabitants of heaven sing a paean, and there is golden peace for the world. F. Estius.
Franco Estius
The Neo-Latin poet who authored the inscription, framing the divine union as the source of 'pax aurea' or the Golden Age.
Ovid
Primary literary source for the iconography and characterization of the Olympian gods in Renaissance art.
Object
Engraving
mythological
Digital Source
Wikimedia Commons · Public domain
[1]
Public domain
4938 × 7384 px
4383796f7d9ddcf9e6ff4af14d544920830d4f19
November 24, 2016
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.