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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileKopie van de gestrande walvis bij Berckhey van 1598 als de walvis gestand bij Ancona in 1601 Ritratto d'un pesce prese nel porto d'Ancona l'anno 1601 (titel op object)
after Hendrick Goltzius
A massive whale lies beached on the sand, its scale emphasized by the numerous figures swarming around it. Laborers are depicted climbing the creature's back to measure and flense it, while well-dressed spectators on foot and horseback gather to witness the rare spectacle. The background shows a coastline with small figures and ships, capturing the communal fascination with this 'monster' of the deep.
In early modern natural philosophy, whale strandings were interpreted as 'prodigies'—significant omens or portents of divine will and impending political or natural shifts. This print, based on an earlier work by Goltzius, reflects the period's transition from viewing nature through the lens of the supernatural to documenting it with empirical, albeit still wonder-filled, precision.
Con la gran fortuna seguita alli 25. di febraro l'anno 1601. è comparso vicino al porto d'Ancona un Pesce di questa sorte lungo piedi 56. grosso 33. quale s'è arenato, et il maschio muggiendo come un Toro p quei mari la va cercando Il pie è quanto l'istesso pesce ritratto qui del naturale a punto. Phli et Io: Turpinus excud. Rome 1601.
Translation
With the great fortune following on the 25th of February in the year 1601, there appeared near the port of Ancona a fish of this sort, 56 feet long, 33 thick, which ran aground, and the male, bellowing like a bull through those seas, goes searching for it. The drawing is exactly as the fish itself, depicted here from life. Phli et Io: Turpinus excud. Rome 1601.
Conrad Lycosthenes
Whale strandings were frequently cataloged in prodigy books like the 'Prodigiorum ac ostentorum chronicon' as celestial signs and terrestrial wonders.
Simon Stevin
As a scientist who observed whale strandings in the Netherlands, Stevin's work represents the empirical turn in studying these events which Goltzius also documented.
Object
Rijksmuseum, Amsterdam
Engraving
natural-philosophy
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.451176
Creative Commons Zero, Public Domain Dedication
6626 × 3970 px
154e0a1323215540322b105808c70d66a2e9b75a
January 1, 2020
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.