This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileLaatste avondmaal De Passie (serietitel)
after Hendrick Goltzius
Christ is highlighted by a radiant, multi-rayed halo while his disciples react with various expressions to the events of the meal. In the foreground, an apostle pours wine from a jug while Judas stands with his back to the viewer, clutching a money bag. A parrot perches on a rod in the background architecture, a complex symbol in Northern art representing either the fall of man or the 'Ave' of the Annunciation.
This print emerges from the Haarlem school, where technical mastery of engraving was often intertwined with the Spiritualist and Neoplatonist philosophy of Dirk Volckertszoon Coornhert. The focused use of light and the 'inner word' reflected in the apostles' faces aligns with the Dutch intellectual preference for internal spiritual transformation over external ritual.
Pag. 18. NB 1618 N. de Bruijn Inuentor et Sculptor
Translation
Page 18. NB 1618 N. de Bruijn Inventor and Sculptor
Dirk Volckertszoon Coornhert
Coornhert was a mentor to the Haarlem engravers, advocating for a 'perfectible' Christianity and a focus on the internal spirit that influenced the expressive nature of their religious art.
Object
Rijksmuseum, Amsterdam
Engraving
religious
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.collect.88935
Creative Commons Zero, Public Domain Dedication
4400 × 5432 px
3f209ce90f26a9106c550055a5850c9d32f8f155
December 26, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.