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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileLaatste avondmaal De Passie (serietitel)
after Hendrick Goltzius
Christ sits at the center of a crowded table, his head framed by a radiant sunburst halo, as he gestures towards the bread. Judas stands in the foreground with his back to the viewer, clutching a money bag behind his back, while the other apostles react with intense expressions and gestures. The scene is set in a vaulted interior featuring a hanging fixture above the table and a parrot perched on a curtain rod in the background.
This print is a product of the Haarlem Mannerist school, a circle of artists whose technical innovations were often used to explore complex spiritual mysteries. The scene depicts the institution of the Eucharist, representing the 'transmutation' of material substance into divine essence, a concept that shared conceptual space with the alchemical and philosophical interests of late 16th and early 17th-century Dutch intellectuals.
NDB 1618 N. de Bruyn Inventor et Sculpsit.
Translation
NDB 1618 N. de Bruyn Inventor and Engraver.
Karel van Mander
Van Mander was the primary intellectual influence on the Haarlem circle, emphasizing the artist's role in depicting the 'theatrum sacrum' or sacred theater.
Object
Rijksmuseum, Amsterdam
Engraving
religious
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.collect.88931
Creative Commons Zero, Public Domain Dedication
4014 × 5760 px
c7b93bb164c956045c2b7b3f7a30ef0be827a882
December 26, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.